Retro Kickwheel Revamp

Super happy with my find at the Raglan Resource Recovery Centre today! I couldn’t believe my luck. I had just popped up to the rubbish dump to drop off some old pallets and a sack of recyclables and saw this beauty. To any other person it just looked like a hunk of rusty metal, but to me a dream come true! It was coming home with me!

I gave it a brush down with a wire brush and applied Rust Converter to stop the rust and protect it from further damage as it forms a primer.

The next step was to give it a spray with an enamel paint. It looks amazing! I cant wait to attempt my first bowl! I may even produce a mug for my husband, who has been very patient while I get all my sculptures out of my system.

I’m gonna be all about texture. Nature inspired texture.

I’ve seen a couple of Instagram posts of bark pottery using sodium silicate.

I think that’s next on Lulu’s Lists.

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Cute little gifts

I will definitely be making more of these little guys. I made them for personal Christmas gifts but had a few requests for some! A cool scale roller and hand cut fish shapes. I leaned them up on a cardboard tube cut in half to give the fish a slight curve. I experimented with what ever shades of blue the Clay Shed had. Simple and sweet.

Glazed and out of the kiln

The dreaded school holidays arrived, and to keep me sane I made sure that I had a sack of clay at my ready. I had a few ideas of what I wanted to try; some mermaids, fish and this awesome shark I’d seen online, as an award for design. I attempted my first dolphin, of which I hope to create more of, promoting an awareness of the endangered maui dolphin, which occasionally frequents the waters of New Zealand’s West Coast. These pieces would allow me to explore with some colour in the form of slips.

 

I also had some more meaningful pieces I want to get out; the first being a figure of a woman represented as a bowling pin. A woman who is continuously, repetitively knocked down, and yet gets back up again, all to be knocked down again. Symbolising abuse.

The second brings awareness to breast cancer. A beautiful curvaceous woman, proud of her battle wound, having had a breast removed.

Fighters. Survivors.

 

Well after messing up my first two pieces, getting carried away with slips and glazes I had a bit of slip fun with the mermaids and fish, and got a wee bit arty with my ladies.

 

 

I love the red stripes, making the bowling pin imagery more obvious.

I’m not fond of glossy glazes so left my survivor lady without a glaze. A double firing of white slip.

The results…

 

Unfortunately the bowling pin lady must have touched something black while in the kiln, which has left a smudge on her back. The breast cancer survivor had a fleck of black glaze on her boob, which I could easily sand off with my rotary tool. I’m yet to seal her, as she has no glaze to protect her.

 

What do you think?

My next two ladies

Continuing on with my motherly theme I created these two ladies, my pregnant woman having a moment with her bump and the blessed mother with her child.

 

This time to make sure they didn’t slump I used vinyl, taped into a cone, covered in a bread bag as a support. After the first day a drying I could remove the cone and pull free the plastic bag. If more shaping was needed, it could be done then, before the piece gets too dry. The following day I used a cut metal knitting needle to reach the end of the hollow cavity to ensure there is a gap in the clay, about the neck, creating an escape for trapped air during firing, prevent the ladies heads from blowing up, potentially taking out nearby pieces from other artists.

 

I had fun with the colouring of these pieces, blending brown to green on one piece and using a selection of blues on my watery woman. Unfortunately I was told about englobes, and coated the pieces in Kakapo Green and Peacock Blue. I thought this would give the girls some amazing texture and contrast. The watery lady looked ok, perhaps a bit too busy and the green lady kinda just went a solid bright green. Not really the earthy toned lady I had envisioned.

 

Oh well, I am told that this is what pottery is about. Experimenting. Especially when you have a group kiln, and you are not in control of the firing temperatures. I think I need to do some googling research of glazes, slips and englobes and perhaps invest in some products to my tastes, hopes and dreams.

I have not been deterred.