Studio, clay and a kiln, it was time to get creating. I set to work making Christmas ornaments in star, fish and heart shapes. After a week of drying, I was ready for my first fire. Unfortunately the kiln’s automatic cone firing schedules did not work, and instead of stopping at 1040oC for a bisque fire, the kiln when all the way to it’s top temperature of 1280oC. This meant my ornaments could not have a second firing with glaze applied.
It took a couple of firings for me to realise that I was going to have to find schedules for bisque and glaze firing of stoneware clay and to enter the program manually.
With the firing under control I could now start testing my glazes. Having my own kiln gave me the freedom to experiment without fear of failure.
The dreaded school holidays arrived, and to keep me sane I made sure that I had a sack of clay at my ready. I had a few ideas of what I wanted to try; some mermaids, fish and this awesome shark I’d seen online, as an award for design. I attempted my first dolphin, of which I hope to create more of, promoting an awareness of the endangered maui dolphin, which occasionally frequents the waters of New Zealand’s West Coast. These pieces would allow me to explore with some colour in the form of slips.
I also had some more meaningful pieces I want to get out; the first being a figure of a woman represented as a bowling pin. A woman who is continuously, repetitively knocked down, and yet gets back up again, all to be knocked down again. Symbolising abuse.
The second brings awareness to breast cancer. A beautiful curvaceous woman, proud of her battle wound, having had a breast removed.
Well after messing up my first two pieces, getting carried away with slips and glazes I had a bit of slip fun with the mermaids and fish, and got a wee bit arty with my ladies.
I love the red stripes, making the bowling pin imagery more obvious.
I’m not fond of glossy glazes so left my survivor lady without a glaze. A double firing of white slip.
Unfortunately the bowling pin lady must have touched something black while in the kiln, which has left a smudge on her back. The breast cancer survivor had a fleck of black glaze on her boob, which I could easily sand off with my rotary tool. I’m yet to seal her, as she has no glaze to protect her.
What do you think?